Unlike Riusuke Fukahori's layering of Zen, Max Zorn produces Layering by using and cutting the brown adhesive tapes, enriching his works with a sense of cinematic effect. Yes, cinematic effect! He employs the nature of the brown tape, roughly reveal the shapes of objects, generating high contrast images with limited details. One must view his art in a backlit situation, which makes the concept to be more like watching a movie instead on painting. It would be great if there are subtitles at the bottom.
Unlike Riusuke Fukahori's layering of Zen, Max Zorn produces Layering by using and cutting the brown adhesive tapes, enriching his works with a sense of cinematic effect. Yes, cinematic effect! He employs the nature of the brown tape, roughly reveal the shapes of objects, generating high contrast images with limited details. One must view his art in a backlit situation, which makes the concept to be more like watching a movie instead on painting. It would be great if there are subtitles at the bottom.